Thursday, 17 November 2011

scene breakdown.

EXT.STREET/FOREST(intercut).NIGHT

ESTABLISHING SHOT: The street is deserted and dark the rain is pouring and the street looks miserable. A dark figure stands under at the corner of the road illuminated only by the light of a single lamp post he stares off into the distance for a moment TRACKING SHOT:then silently crosses the road then moves towards a girl we see two hands in leather gloves wrap around her neck.
 The dark figure is then in a thick wood standing by a deep body length hole he dumps an object wrapped up and taped in a bin liner into it. CUT TO

INT.HOUSE.DAY

TRACKING SHOTS: Suzy is in her home drinking coffee while watching the news she sits down and turns the volume up , the main headline is about a local serial killer she turns of the t.v abruptly CLOSE UP: closes her eyes and massages her head. FADE TO

INT.POLICE STATION SUZY'S OFFICE.DAY

CLOSE UP:We see a file for the serial killer case that was on the news previously on suzys desk TRACKING SHOT:then we see a flustured juliana walk in flustered and pester suzy to do a better job finding her daughters killer. Just as Suzy goes to usher out juliana SWISH PAN:  the phone rings suzy goes to answer it the phone call gives them about an anonomous clue at a car park. FADE TO

 EXT.CAR PARK/CAR(intercut).NIGHT

ARC SHOT:Juliana and Suzy arrive at the car park shadow a go along the wall and scurrying noises are heard. Suzy reassures juliana then goes off to investigate leaving Juliana on her own. The mysterious figure from the start emerges attacks and kills Juliana then runs off. CLOSE UP:The figure gets into a car then pulls off her mask revealing her self to be Suzy.
FADE TO CREDITS

2 comments:

  1. Great shooting script / scene breakdown here Sabira, you have used the previous tasks to produce some excellent decisions in terms of the camera angles and shots you have selected. You could shoot this now as a silent film, due to the impressive detail. I am looking forward to seeing the script complete with dialogue.

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